Lázaro-Reboll, Antonio.
Edinburgh : Edinburgh University Press, c2012.
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Part of the series Traditions in world cinema;Traditions in world cinema.
Notes:
- Includes filmography (p. 278-282).
- Includes bibliographical references (p. 283-296) and index.
- Spanish Horror Film is the first in-depth exploration of the genre in Spain from the ‘horror boom’ of the late 1960s and early 1970s to the most recent production in the current renaissance of Spanish genre cinema, through a study of its production, circulation, regulation and consumption. The examination of this rich cinematic tradition is firmly located in relation to broader historical and cultural shifts in recent Spanish history and as an important part of the European horror film tradition and the global culture of psychotronia. –Publisher’s website.
- The Spanish Horror Boom: 1968 – 1975 — Spanish Hall of Monsters in the late 1960s and early 1970s — Narciso Ibáñez Serrador, Horrormeister: Historias para no dormir (1966-8), La residencia (1969) and ¿Quién puede matar a un niño? (1976) — The Horror Cycle of Eloy de la Iglesia (1971-1973) — Devoted to Horror: From Terror Fantastic (1971-1973) to 2000 maniacos (1989-present) — Post-1975 Horror Production — Transnational Projections in Contemporary Spanish Horror Film: Nacho Cerdá, Jaume Balagueró and Guillermo del Toro — Conclusion.
Subjects:
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