The phantom Holocaust : Soviet cinema and Jewish catastrophe / Olga Gershenson.

Gershenson, Olga.
New Brunswick, New Jersey London : Rutgers University Press, [2013]
Added to CLICnet on 05/23/2014


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Part of the series Jewish cultures of the world;Jewish cultures of the world.
Notes:

  • Includes bibliographical references (pages 231-267) and index.
  • Screening the Holocaust in the Soviet Union: Jews without the Holocaust and the Holocaust without the Jews — Soviet antifascist films of the 1930s: The earliest images of Nazi anti-semitism and concentration camps on world screens — The first phantom: I will live! (1942) — How a Soviet novel turned into Jewish film: The first depiction of the Holocaust on Soviet screens, The unvanquished (1945) — The Holocaust on the thawing screen: From The fate of a man (1959) to Ordinary fascism (1965) — The Holocaust at the Lithuanian Film Studio: Gott mit uns (1961) — The Holocaust without the Jews: Steps in the night (1962) and other films — Kalik versus Goskino: Goodbye, boys! (1964/66) — Stalemate (1965) between the filmmaker and the censors — Kalik’s last phantom: King Matt and the old doctor (1966) — The film that cost a career: Eastern corridor (1966) — Muslims instead of Musslmans: Sons of the fatherland (1968) — Commissar (1967/1988): The end of the thaw — An alternative track: Jewish soldiers fighting on Soviet screens — The last phantom — the first film: Our father (1966/1990) — Perestroika and beyond: Old wine in new bottles? — Conclusions.

Subjects:

Requested by deVries, J

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