Ann Arbor : University of Michigan Press, [2013]
Added to CLICnet on 01/27/2015
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Notes:
- Includes bibliographical references and index.
- Editors’ preface / Nicholas Cook and Richard Pettengill — A backward-looking foreword / Elisabeth Le Guin — Introduction / Nicholas Cook and Richard Pettengill — U2 3D : concert films and/as live performance / Susan Fast — Performing collective improvisation : the Grateful Dead’s Dark star / Richard Pettengill — Jazz improvisation as a social arrangement / Philip Auslander — Bridging the unbridgeable? Empirical musicology and interdisciplinary performance studies / Nicholas Cook — The written and the sung : ornamenting Il barbiere di Siviglia / Philip Gossett — Enacting the revolution : Thalberg in 1848 / Dana Gooley — Cutting loose : burying The first man of jazz / Joseph Roach — Abbey Lincoln’s screaming singing and the sonic liberatory potential thereafter / Aida Mbowa — Got to get over the hump : the politics of glam in the work of Labelle and Parliament / Margaret F. Savilonis — Bring the pain : post-Soul memory, neo-Soul affect, and Lauryn Hill in the Black public sphere / Daphne A. Brooks — Don’t stop ’til you get enough : presence, spectacle, and good feeling in Michael Jackson’s This is it / Jason King — Carles Santos : music in the theatre / Maria M. Delgado — Tchekisse : Neba Solo’s Senufo counterpoint in action / Ingrid Monson — Playing games with music (and vice versa) : ludomusicological perspectives on guitar hero and rock band / Roger Moseley — Beyond performance : transmusicking in cyberspace / David Borgo — Afterword : Music as performance : the disciplinary dilemma revisited / Philip Auslander.
Subjects:
Requested by Kurpiers, R