New York, NY : Palgrave Macmillan, 2014.
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Notes:
- Includes bibliographical references and index.
- Introduction: the Wonderful Worlds of Wes Anderson / Peter C. Kunze — The Short Films of Wes Anderson / Nicole Richter — Cast of Characters: Wes Anderson and Pure Cinematic Characterization / Kim Wilkins — The Jellyfish and the Moonlight: Imagining the Family in Wes Anderson’s Films / Steven Rybin — Max Fischer Presents : Wes Anderson and the Theatricality of Mourning / Rachel Joseph — Who’s to Say ?: The Role of Pets in Wes Anderson’s Films / C. Ryan Knight — American Empirical Time and Space: The (In)Visibility of Popular Culture in the Films of Wes Anderson / Jason Davids Scott — From the Mixed-Up Films of Mr. Wesley W. Anderson: Children’s Literature as Intertexts / Peter C. Kunze — A Shared Approach to Familial Dysfunction and Sound Design: Wes Anderson’s Influence on the Films of Noah Baumbach / Jennifer O’Meara — Bill Murray and Wes Anderson, or the Curmudgeon as Muse / Colleen Kennedy-Karpat — Life on Mars or Life on the Sea: Seu Jorge, David Bowie, and the Musical World in Wes Anderson’s The Life Aquatic with Steve Zissou / Lara Hrycaj — The Andersonian, the Quirky, and Innocence / James MacDowell — I Always Wanted to be a Tenenbaum : Class Mobility as Neoliberal Fantasy in Wes Anderson’s The Royal Tenenbaums / Jen Hedler Phillis — Objects/Desire/Oedipus: Wes Anderson as Late Capitalist Auteur / Joshua Gooch — Systems Thinking in The Life Aquatic with Steve Zissou and Moonrise Kingdom / Laura Shackelford.
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