Durham : Duke University Press, 2014.;©2014
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Notes:
- Includes bibliographical references (pages 317-336) and index.
- Animation and history / Esther Leslie — Animating the instant : the secret symmetry between animation and photography / Tom Gunning — Polygraphic photography and the origins of 3-D animation / Alexander R. Galloway — A living, developing egg is present before you : animation, scientific visualization, modeling / Oliver Gaycken — André Martin, inventor of animation cinema : prolegomena for a history of terms / Hervé Joubert-Laurencin translated by Lucy Swanson — First principles of animation / Alan Cholodenko — Animation, in theory / Suzanne Buchan — Film as experiment in animation : are films experiments on human beings? / Gertrud Koch translated by Daniel Hendrickson — Frame shot : Vertov’s ideologies of animation / Mihaela Mihailova and John MacKay — Signatures of motion : Len Lye’s scratch films and the energy of the line / Andrew R. Johnston — Animating copies : Japanese graphic design, the Xerox machine, and Walter Benjamin / Yuriko Furuhata — Framing the postmodern : the rhetoric of animated form in experimental identity-politics documentary video in the 1980s and 1990s / Tess Takahashi — Cartoon film theory : Imamura Taihei on animation, documentary, and photography / Thomas LaMarre — African American representation through the combination of live action and animation / Christopher P. Lehman — Animating uncommon life : U.S. Military malaria films (1942-1945) and the Pacific theater / Bishnupriya Ghosh — Realism in the animation media environment : animation theory from Japan / Marc Steinberg — Some observations pertaining to cartoon physics or, The cartoon cat in the machine / Scott Bukatman.
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Requested by Kurpiers, R