Adapting Chekhov : the text and its mutations / edited by J. Douglas Clayton and Yana Meerzon.


New York : Routledge, 2013.
Added to CLICnet on 05/18/2015


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Part of the series Routledge advances in theatre and performance studies 23;Routledge advances in theatre and performance studies 23.
Notes:

  • Includes bibliographical references and index.
  • Diagnosis and Balagan: the poetics of Chekhov’s drama / J. Douglas Clayton — Rewriting Chekhov in Russia today: questioning a fragmented society and finding new aesthetic reference points / Marie-Christine Autant-Mathieu — The flight of the dead bird: Chekhov’s The seagull and Williams’s The notebook of Trigorin / Maria Ignatieva — Talking and walking past each other: Chekhovian echoes in Czech drama and theatre / Veronika Ambros — Howard Barker’s (Uncle) Vanya: Chekhov shaken, not stirred / Charles Lamb — Transtextual crossbreeds in post-communist context: an anthropological analysis of Horia Gârbea’s The seagull from the cherry orchard / Diana Manole — Chekhov in the age of globalization: Janusz Glowacki’s The fourth sister / Magda Romanska — Theatre and subaltern histories: Chekhov adaptation in post-colonial India / Bishnupriya Dutt — What comes after Chekhov ? Mustapha Matura and west Indian reiterations of Three sisters / Victoria Pettersen Lantz — From Moscow to Ballybeg: Brian Friel’s richly metabiotic relationship with Anton Chekhov / Martine Pelletier — Daniel Veronese’s proyecto Chéjov : translation in performance as radical rationality / Jean Graham-Jones — Canadian Chekhovs: three very different mutations / James McKinnon — The work of the theatre: the Wooster group adapts to Chekhov’s Three sisters in Fish story / Sheila Rabillard — The Japanization of Chekhov: contemporary Japanese adaptations of Three sisters / Yasushi Nagata — Interrogating the real: Chekhov’s cinema of verbatim. Ward number six in Karen Shakhnazarov’s 2009 film adaptation / Yana Meerzon.

Subjects:

Requested by Kurpiers, R

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