Roznowski, Rob, 1963-
New York, NY : Palgrave Macmillan, 2013.
Added to CLICnet on 07/20/2015

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Notes:

• Includes bibliographical references (pages 209-212) and index.
• Acting — Inner monologue (IM) in basic psychology — IM everyday — IM in acting — IM as enemy — IM versus subtext — IM in transitions — IM alone onstage — IM in objective/tactic/obstacle — IM out of your head — IM in script scoring — IM in drama — IM in film — IM in classical theater — IM in musical theatre — IM in comedy — IM in style — IM in auditions — IM in other psychological theories — IM in other performance forms.
• Exercises to help actors harness their inner voices, or stream of consciousness, while onstage.
• What should an actor be thinking onstage? This overlooked, important question is the crux of this new book that combines psychological theory, numerous practical exercises, and a thorough and wide-reaching examination of inner monologue in various forms including film, musical theatre, and comedy. The Inner Monologue is that ‘stream of consciousness’ or ‘inner voice’ that constantly echoes in your head. This revolutionary new book tames and harnesses that voice to be used as a powerful tool in acting. Written in an accessible tone, the book assists actors, directors and educators in their quest for deeper more thoughtful acting and is a perfect supplement to traditional actor training. — Publisher’s description.

Subjects:

• Acting — Psychological aspects.
• Actors — Psychology.
• Acting — Psychological aspects. fast (OCoLC)fst00796157
• Actors — Psychology. fast (OCoLC)fst00796312

Requested by Engen, D.