Madison, Wis. : A-R Editions, c1996.
Added to CLICnet on 07/28/2015

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Part of the series Recent researches in the music of the Renaissance, 0486-123X v. 106
Notes:

• Polyphonic chansons also includes non-French secular partsongs and motets.
• For cantus, altus, tenor, and bassus.
• Edited from various mss. and early printed collections.
• Includes pref. and critical notes.
• Includes bibliographical references.
• Amour vault trop — Amy, souffrez — Ave, regina caelorum — Belle sur toutes/Tota pulchra es — Ces facheux sotz — C’est donc par moy — Da pacem Domine — De vostre deul — Fortuna desperata — Fortune, lesse moy — Fortune, par ta cruaulte — Helas, que pourra devenir — Io son maistro barileto — J’ay trop ayme — Je ne scay pas : (based on Reg 940-41) — Je ne scay pas : (based on Mun 1516) — Le despourveu infortune — Madame qui tant — Nunca fue pena maior — Or vray Dieu — Oublier veuil tristesse — Serviteur suis — Si dedero — S’il vous plait — Untitled.
• Words of texted works in French (principally), Italian, Latin, and Spanish. also printed as texts with English translations on p. xiii-xv.

Subjects:

• Polyphonic chansons — 15th century.
• Polyphonic chansons — 16th century.
• Motets.

Requested by Aamodt – AR Editions