Rentschler, Eric, author.
New York : Columbia University Press, [2015];©2015
Added to CLICnet on 11/02/2015
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Part of the series Film and culture;Film and culture.
Notes:
- Includes bibliographical references and index.
- Introduction: History lessons and courses in time — Pt. 1. Critical venues. How a social critic became a formative theorist — Hunger for experience, spectatorship, and the seventies — The passenger and the critical critic — The limits of aesthetic resistance — Springtime for UFA — Pt. 2. Serials and cycles. Mountains and modernity — Too lovely to be true — The management of shattered identity — After the war, before the wall — Pt. 3. From Oberhausen to Bitburg. Remembering not to forget — Many ways to fight a battle — How American is it? — The use and abuse of memory — A cinema of citation — The declaration of independents — Pt. 4. Postwall prospects. An archaeology of the Berlin school — The surveillance camera’s quarry — Heritages and histories — Life in the shadows — Two trips to the Berlinale.
- Eric Rentschler’s new book, The Use and Abuse of Cinema, takes readers on a series of enthralling excursions through the fraught history of German cinema, from the Weimar and Nazi eras to the postwar and postwall epochs and into the new millennium. These journeys afford rich panoramas and nuanced close-ups from a nation’s production of fantasies and spectacles, traversing the different ways in which the film medium has figured in Germany, both as a site of creative and critical enterprise and as a locus of destructive and regressive endeavor. Each of the chapters provides a stirring minidrama the cast includes prominent critics such as Siegfried Kracauer and Rudolf Arnheim postwar directors like Wolfgang Staudte, Rainer Werner Fassbinder, Wim Wenders, and Alexander Kluge representatives of the so-called Berlin School and exponents of mountain epics, early sound musicals, rubble films, and recent heritage features. A film history that is both original and unconventional, Rentschler’s colorful tapestry weaves together figures, motifs, and stories in exciting, unexpected, and even novelistic ways. –Provided by publisher.
Subjects:
- Motion pictures — Germany — History — 20th century.
- Germany. fast (OCoLC)fst01210272
- Deutschland. (DE-588)4011882-4 gnd
- 1900 – 1999 fast
- History. fast (OCoLC)fst01411628
Requested by Kurpiers, R.