Boal, Augusto.
London New York : Routledge, 2002.
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Notes:
- Translation of: Jeux pour acteurs et non-acteurs.
- Preface to the second edition: The Royal Shakespeare Company, theatre in prisons and landless peasants — Preface to the first edition: the fable of Xua-Xua, the prehuman woman who discovered theatre — Theatre of the Oppressed in Europe — Godrano experience: my first Forum Theatre in Europe or the ultimate spect-actor/protagonist! — Structure of the Actor’s Work — primacy of emotion — Rationalising emotion — la recherche du temps perdu — dialectical structure of the actor’s interpretation of a role — Arsenal of Theatre of the Oppressed — Introduction: a new system of exercises and games from Theatre of the Oppressed — Feeling What We Touch (Restructuring Muscular Relations) — Listening to What We Hear — Dynamising Several Senses — Seeing What We Look At — Memory of the Senses — Image Theatre — Rehearsal Exercises for any Kind of Play — Early Forms of Forum Theatre — rules of the game — Dramaturgy — Staging — performance game — Examples of Forum Theatre — Forum Theatre: Doubts and Certainties: Incorporating a New Method of Rehearsing and Devising a Forum Theatre Model — Twenty fundamental topics — First Experiences with Invisible Theatre — Examples of Invisible Theatre — Artistic Creation and Divine Madness: A Meditation on Art and the Miraculous — Passion and art — mad artist and the artist madman. Postscript: The Pedagogy of Fear – Theatre and the Twin Towers: An Essay After 11 September, 2001.
Subjects:
Requested by Narvaez, B.