Music and sound in documentary film / edited by Holly Rogers, University of Liverpool.


New York, NY Abingdon, Oxon : Routledge, 2015.;©2015
Added to CLICnet on 12/19/2015


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Part of the series Routledge music and screen media series;Routledge music and screen media series.
Notes:

  • Introduction : music, sound, and the nonfiction aesthetic / Holly Rogers — Resounding city films : Vertov, Ruttmann and early experiments with documentary sound aesthetics / Carolyn Birdsall — Sounding the world : the role of music and sound in early talking newsreels / James Deaville — Race, war, music and the problem of one tenth of our nation (1940) / Julie Hubbert — Music, science, and educational film in post-war Britain / Thomas F. Cohen — Reinventing the documentary : the early essay film soundtracks of Chris Marker / Orlene Denice McMahon — Water music : scoring the silent world / Mervyn Cooke — Music and the aesthetics of the recorded world : time, event and meaning in feature documentary / John Corner — Irish sea power : a new version of Man of Aran (2009/1934) / K.J. Donnelly — Excavating authenticity : surveying the indie rock-doc / Jamie Sexton — More than background : ambience and sound-design in contemporary art documentary film / Marion Leonard and Robert Strachan — Sonic ethnographies : Leviathan and new materialisms in documentary / Kara Selmin and Alanna Thain.
  • Includes bibliographical references and index.

Subjects:

Requested by Kurpiers, R.

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