Oxford New York : Oxford University Press, [2014]
Added to CLICnet on 12/21/2015
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Notes:
- Includes bibliographical references and index.
- Overview / David Neumeyer — Music and the ontology of the sound film / James Buhler and David Neumeyer — Opera and film / Marcia Citron — Visual representation of film sound as analytical tool / Rick Altman — Film music from the perspective of cognitive science / Annabel Cohen — Composing for film / Peter Schweinhardt and Johannes C. Gall translated by Oliver Dahin — Ontological, formal, and critical theories of film music and sound / James Buhler — Drawing a new narrative for cartoon music / Daniel Goldmark — Genre theory and the film musical / Cari McDonnell — The tunes they are a-changing / Jeff Smith — The compilation soundtrack from the 1960s to the present / Julie Hubbert — The origins of musical style in video games, 1977-1983 / Neil Lerner — Classical music, virtual bodies, narrative film / Lawrence Kramer — Gender, sexuality, and the soundtrack / James Buhler — Psychoanalysis, apparatus theory, and subjectivity / James Buhler — Case studies — introduction / Robynn Stilwell — Case study 1, The order of sanctity / Mitchell Morris — Case study 2, Strange recognitions and endless loops / Julie McQuinn — Transformational theory and the analysis of film music / Scott Murphy — Listening in film / Marianne Kielian-Gilbert — Auteurship and agency in television music / Ronald Rodman — When the music surges / Michael Pisani — Audio-visual palimpsests / Julie Brown — Performance practices and music in early cinema outside hollywood / Kathryn Kalinak — Performing prestige / Nathan Platte.
Subjects:
Requested by Kurpiers, R.