Kelly, Thomas Forrest.
New York : W. W. Norton & Company, [2015]
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Notes:
- Includes bibliographical references (pages 221-225) and index.
- CD performed by Blue Heron (Michael Barrett, Paul Guttry, Ian Howell, David McFerrin, Owen McIntosh, Jason McStoots, Martin Near, Mark Sprinkle, Sumner Thompson, and Paul Max Tipton, voices Laura Jeppesen, vielle Scott Metcalfe, harp and vielle Charles Weaver, lute) Scott Metcalfe, director.
- Isidore : writing as recording — St. Gregory and the recording of music — Guido the monk and the recording of pitch — The great book : Leoninus and the recording of rhythm — Franco figures it out — It takes a scientist : Philippe de Vitry — Into the future : later developments.
- CD. Gregorian chant, Introit Ad te levavi (Michael Barrett, soloist) — Gregorian chant, Introit Resurrexi (David McFerrin, soloist) — Gregorian chant, Alleluia Pascha nostrum (Paul Guttry, soloist) — Hymn, Ut queant laxis — Alleluia Pascha nostrum / Leoninus (Jason McStoots, soloist) — Alleluia Pascha nostrum / Perotinus (Michael Barrett and Sumner Thompson, soloists (Alleluia) Owen McIntosh and Jason McStoots, soloist ( Pascha nostrum ) — Clausula, Latus est Mark Sprinkle, soloist) — Motet, Immolata paschali victima (Mark Sprinkle and Jason McStoots) — Sumer is icumen in Perspice Christicola — Motet, Diex qui porroir En grant dolour Aptatur (Jason McStoots, Mark Sprinkle, and Scott Metcalfe) — Motete, Aucun ont trouvé Lonctans me sui Annun[tiantes] Jason McStoots, Michael Barreett, and David McFerrin) — Motet, Garrit gallus In nova fert / Philippe de Vitry (Ian Howell, Martin Near, and Scott Metcalfe) — Biaute qui toutes autres pere / Guillaume de Machaut (Owen McIntosh, Laura Jeppesen, and Scott Metcalfe) — Io son un pellegrin (Owen McIntosh and Sumner Thompson) — Musica son / Francesco Landini (Owen McIntosh, Jason McStoots, and Sumner Thompson) — En attendant, Esperance conforte / Jacob Senleches (Owen McIntosh, Charles Weaver, and Scott Metcalfe) — Belle, bonne, sage, plaisant / Baude Cordier (Martin Near, Charles Weaver, and Scott Metcalfe).
- Before the era of recording — before wax cylinders, vinyl, or digital media — songwriters, composers, and musicians relied on sheet music and musical notation to disseminate their works. In this marvelously witty and engaging chapter of music history, Kelly, a Harvard musicologist, thoughtfully reviews the long process through which musical notation developed.
Subjects:
Requested by Kurpiers, R.