New Brunswick, New Jersey : Rutgers University Press, [2015]
Added to CLICnet on 11/02/2015
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Notes:
- Includes bibliographical references (pages 249-259) and index.
- Introduction: Critical questions / Mattias Frey — Part 1. Critic and the audience — Thumbs in the crowd: artists and audiences in the postvanguard world / Greg Taylor — Critics through authors: dialogues, similarities, and the sense of a crisis / Cecilia Sayad — Last honest film critic in America : Armond White and the children of James Baldwin / Daniel McNeil — Part II. New forms and activities — New democracy? Rotten tomatoes, metacritic, Twitter, and IMDb / Mattias Frey — Price of conservation: online video criticism of film in Italy / Giacomo Manzoli and Paolo Noto — Before and after AfterEllen: online queer cinephile communities as critical counterpublics / Maria San Filippo — Elevating the amateur : Nollywood critics and the politics of diasporic film criticism / Noah Tsika — Part III. Institutions and the profession — American nationwide associations of film critics in the internet era / Anne Hurault-Paupe — Finnish film critics and the uncertainties of the profession in the digital age / Outi Hakola — Social function of criticism or, why does the cinema have (to have) a soul? / Thomas Elsaesser — Part VI. Critics speaks — Critic is dead … / Jasmina Kallay — What we don’t talk about when we talk about movies / Armond White — Who needs critics? / Nick James — Excerpts from Cineaste’s Film Criticism in the Age of the Internet: A Critical Symposium / Theodoros Panayides, Kevin B. Lee, Karina Longworth, The Self-Styled Siren (Farran Smith Nehme), and Stephanie Zacharerk.
Subjects:
Requested by Kurpiers, R.